About The foos
Of a Friend,” which Grohl wrote in 1990 about his early impressions of his time in Nirvana, and “Cold Day in the Sun,” a breezy, Replacements-ish number featuring Hawkins’ best lead vocal on a Foos album.Buy In Your Honor on Amazon 7. One by One (2002)The Foos graduated to arena headliner status with the Raymond Pettibon-designed One by One, which arrived on the heels of Grohl’s high-profile guest turns on Tenacious D’s 2001 self-titled debut and Queens of the Stone Age’s star-making Songs for the Deaf. With guitarist Chris Shiflett firmly entrenched in the lineup, the thrill of rocking the hell out with good pals clearly carries over onto the ferocious “All My Life,” the oblong, machine-gun riffage of “Low,” and the sprightly, aptly named “Overdrive.” “Times Like These” is another stadium anthem in the vein of “Everlong” and “My Hero,” and its top five success on both the Mainstream and Alternative charts gave the Foos a much-needed crossover hit. A deluxe edition of the album adds amusing covers such as the Ramones’ “Danny Says” (sung by Shiflett) and Joe Walsh’s 1981 hit “Life of Illusion” (with vocals by Hawkins).Buy One by One on Amazon 6. Echoes, Silence, Patience & Grace (2007)With Gil Norton back behind the boards for the first time in a decade, Echoes is an outgrowth of the Foos’ 2006 acoustic tour, which found them fully exploring the melodic possibilities previously hidden in their material. As such, the album shifts from fingerpicked acoustic guitar intros to speaker-shredding rock riffs in a matter of seconds, with the explosive “The Pretender” and “Erase/Replace” front-loading the tracklist. More intriguing are “Ballad of the Beaconsfield Miners” (an old-fashioned instrumental guitar duet with Kaki King) and the Freddie Mercury homage “Home,” which closes the album with visions of a wax-encrusted candelabra atop the grand piano. Grohl is also surprisingly transparent with his feelings on songs such as the acoustic “Stranger Things Have Happened,” written about his wife Jordyn, while other tracks reflect the birth of his daughter Violet and his evolution as a husband and parent. Left-field references to Band on the
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- To foo bar, or not to foo bar: that is the question [closed]
- Kidzup - Little Bunny Foo Foo Lyrics
- Little Bunny Foo Foo - Nursery Rhymes
- Foo Foo Lyrics by Santana - Lyrics On Demand
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- Foo Fighters – Foo Fighters Rough Mixes
Run-era Paul McCartney, the Eagles, and even ‘70s soft-rockers Bread fit in just fine here, before they became a smidge too frequent down the road.Buy Echoes on Amazon 5. Wasting Light (2011)Recorded in Grohl’s Encino garage with Nevermind producer Butch Vig, Wasting Light is the hardest-rocking Foos album of the 2010s thanks to rifftastic gems such as “Rope,” “Arlandria,” “Back & Forth,” and “White Limo,” the most badass, demented song the band had released since The Colour and the Shape. The inclusion of Hüsker Dü/Sugar frontman Bob Mould on the tense “Dear Rosemary” is a nice nod to Grohl’s underground rock roots, while former Nirvana bandmate Krist Novoselic’s deep, dirty bass tone is immediately apparent on the penultimate song, “I Should Have Known.” Wasting Light also spawned two more arena roof-raisers in “These Days” and “Walk,” proving Grohl could still more than capably satisfy the diverse tastes of the Foos’ ever-growing audience at this stage of his career.Buy Wasting Light on Amazon 4. There Is Nothing Left To Lose (1999)With its distended bass and pounding drums, the first 29 seconds of opener “Stacked Actors” trigger Ghosts of Nirvana Past before they’re subverted into a hushed verse. The song quickly picks up steam again, but this “to rock or not rock?” dichotomy is present throughout the Foos’ third album, which at the time raised eyebrows for its Cheap Trick and Peter Frampton references but has aged well in the two-plus decades since. With Hawkins behind the drum kit for the first time, the ultra-hooky power pop of “Breakout” and the “write a song where the verses and choruses use the same chord progression” exercise “Learn To Fly” were instant live staples, and “Generator” is arguably the catchiest Foos single never to become a hit. You can also hear the band fidgeting with where to go next: more subtle numbers such as “Next Year” and “Ain’t It the Life” (replete with country twang) presage the acoustic experiments of future albums, while the soothing, delay-drenched “Aurora” points toward a day when Grohl doesn’t have to exclusively scream and shout at his listeners.Buy There
