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For the rest of the Guardians, Rocket proves to be a more than capable captain, leading his team into battle against a group of aliens. He also provides an appropriate soundtrack, cuing up Redbone's "Come and Get Your Love" on the Zune — a throwback to the opening of the original Guardians movie. Gamora (Zoe Saldaña) and Star-Lord (Chris Pratt) in 'Guardians of the Galaxy Vol. 3'.Jessica Miglio/Marvel Studios Post-credits scene: Back to Earth The second scene comes at the very end of the credits, and it finds us back on Earth. Quill sits down to breakfast with his grandfather (Gregg Henry), who's seen reading a newspaper called The St. Charles Post. The front-page headline teases an exclusive interview with actor Kevin Bacon, who promises to "tell all" about his "alien abduction." It's a fun Easter egg nod to last year's Guardians of the Galaxy Holiday Special, in which Mantis and Drax went to Earth to kidnap the Footloose star. But what's more exciting is what comes after the post-credits scene. A large title card declares: "The Legendary Star-Lord Will Return." Vol. 3 feels like a fitting goodbye for Peter, so it's intriguing to see that he might make another appearance — this time as a potential solo act. There's a recent comics run also titled The Legendary Star-Lord, from writer Sam Humphries and artist Paco Medina. It follows Peter after he departs the Guardians, so perhaps we'll see a Star-Lord movie (or Disney+ TV show) in the future. For more on Guardians of the Galaxy Vol. 3, read EW's exclusive preview with Gunn and the cast here. Want more movie news? Sign up for Entertainment Weekly's free newsletter to get the latest trailers, celebrity interviews, film reviews, and more. Related content:The Guardians of the Galaxy press play on their swan songZoe Saldaña explains why she went into Guardians of the Galaxy Vol. 3 feeling 'bitter'James Gunn wants to break the threequel curse with Guardians of the Galaxy Vol. 3
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Some of that just demonstrated how well James Gunn’s style fit Kevin Feige’s MCU mold—I’m thinking specifically of the quippy, sarcastic characters and the heavily nostalgic licensed soundtrack. They’re staples of the Guardians series, but they’re also something that existed in Jon Favreau’s Iron Man. What made GotG and its sequel conceptually interesting was moving away from Earth as the center of the Marvel Cinematic Universe to explore the great unknowns of space. In this way, these films are able to maintain variety and vibrance in their spectacle even if it doesn’t exactly feel real. The Wachowskis’ Jupiter Ascending is a space opera with a lot in common with Guardians of the Galaxy Vol. 2. Like Guardians of the Galaxy, the film features a male action star with rocket boots (Channing Tatum as half-canine, genetically-engineered soldier Caine Wise). Like Guardians of the Galaxy Vol. 2, the film centers on the power and responsibility foisted on someone’s shoulders based on their genes and forebears. With Guardians of the Galaxy Vol. 2, Star Lord has to deal with the fact that his dad, Celestial superbeing Ego (Kurt Russell), wants him to conquer the galaxy. In Jupiter Ascending, domestic cleaner Jupiter Jones (Mila Kunis) gets drawn into a family drama wrapped around resource rights and planet ownership, and has to stop a rich immortal from destroying the Earth. Jupiter Ascending feels very much like a “subtext is for cowards” movie, with rich people razing the planets they’ve colonized to grind down living people
