About Stephen king it film
Status now. Upon its release, however, it was critically panned, earning King a Golden Raspberry award nomination for Worst Director and his leading man, Emilio Estevez, a nod for worst actor.A Fresh Face for Pennywise Sparks a Killer Comeback for Stephen King FilmsStill, despite the hit-and-miss quality of King’s horror adaptations, there was a massive success that renewed interest in all things Stephen King. It (2017), the second adaptation of his 1986 novel after the 1990 TV miniseries, became one of the highest-grossing R-rated movies of all time, raking in over $700 million at the box office. It also enjoys an 85 percent approval rating on Rotten Tomatoes.It printing so much cash meant the King movie machine shuddered back to life and more film and TV adaptations of his work rolled out. New adaptations of Pet Sematary (2019), Children of the Corn (2020), and Firestarter (2022) were all instant misfires.Is the 2017 version of It something of an outlier? Maybe the film managed to ride the final wave of 80s nostalgia. It surely benefited from the concurrent success of the King-influenced Netflix hit Stranger Things. Perhaps 80s kids on film enjoyed their last popular hurrah with It.The 2019 follow-up, It: Chapter Two, with its modern setting and adult cast, fared far less well. The film managed to scrape together just over $400 million (still respectable, but far from the juggernaut of the first film) and squeaked by with a 62 percent critic approval rating on Rotten Tomatoes.Heck, the latest Salem’s Lot adaptation (dumped on MAX just last fall) only managed a 46 percent score.Indeed, 2025 is stacked with all things Stephen King. His latest novel, Never Flinch, drops in May. Meanwhile, an It TV prequel, Welcome to Derry, with Bill Skarsgård reprising the killer clown Pennywise, also drops on MAX later this year.‘The Monkey’ Could Be the Rare Stephen King Adaptation to bang at Both the Box Office and among CriticsDespite the failures of the recent past, a fresh Stephen King adaptation is shaping up to be a return to full-fledged cinematic glory for the horror master, and it drops
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Stephen King has ruled horror literature for over 50 years, so why are his horror film adaptations a mixed bag of nightmares and snoozescapes?King is an author who is easy to take for granted. He’s cranked out a novel or short story collection (sometimes more) almost every year since Carrie (first published in 1974) scored a box office hit film adaptation by Brian de Palma in 1976, which made the paperback a best seller. Videos by VICE Yes, Carrie made King a go-to for film adaptations right out of the gate. However, it’s only one of a handful of the seemingly endless King film adaptations that’s both a critical hit (it still enjoys a 94 percent fresh rating on Rotten Tomatoes) and box office success (earning more than classics like Logan’s Run and Network that year).After Carrie‘s success, other solid King film adaptations followed, helmed by auteurs with Stanley Kubrick’s The Shining (1980), David Cronenberg’s The Dead Zone, and John Carpenter’s Christine (both 1983).King Adaptations: Faltering since 1984Still, even then, adaptations of Uncle Steve’s work began to falter. While the 1983 Cujo film adaptation helped make the titular rabid St. Bernard part of the lexicon when referring to out-of-control animals, it was hardly a critical darling (sitting at a 59 percent rating on Rotten Tomatoes). Then 1984 brought two adaptations stinking up Castle Rock, Children of the Corn and Firestarter, both with 38 percent Rotten Tomatoes ratings.Even collaborations with master horror director George Romero (of Night of the Living Dead fame) were mixed. Their loving homage to 4 color horror comics of the 1950s, Creepshow (1982) is a blast for fans, while The Dark Half (1993) feels more peculiar than scary.Of course, that’s not even touching sequels not at all based on original King stories or adaptations in name only (like the infamous The Lawnmower Man). Why Stephen King’s Stories Sometimes Lose Their Scare Factor From Page to ScreenKing adaptations should translate well to the screen, especially given his nearly unmatched skill for writing dialogue.“He’s one of the first people to talk about real Americans and how they live, to
